Re: Building component cables
Forty feet's a long way for those frequencies; what kind of cable are you using?
It should be thick (quarter inch), low loss 75 ohm coax, not recuperated audio cable or ariel downlead.
The general reason for colour shift in the studio is desynchronisation due to differing cable delays, if you use four random cables that aren't the same length. Frequently, you'll just grab a handful of BNC cables off the rack, and discover that one's five metres longer than the others afterward (and swear) However, if you've cut and terminated each cable for the job, this shouldn't be a problem. It doesn't sound like echo (there aren't loop-through sockets that could do with terminating resistors, are there?) and certainly, if each cable carries composite adequately, it's difficult to see what can be wrong with the extension wiring.
Just a silly question; you have tried moving the TV up close to the gear and checking with just the adaptor cables, and female to female RCA adapters if necessary? It woud be silly if the problem came from a bought in cable like that.
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